Actress Anushka sizzled with her uttermost skin show in Telugu version of ‘Vikramakudu’ and she was supposed to star opposite Karthi in Tamil remake as well. On the spur of moment, she was replaced by Thamannah as Karthi had recommended her intensely.
As known earlier, the film is produced by Karthi’s uncle K.E. Gnyanavel Rajan under the banner name of Studio Green Films. It seems that Karthi had developed a great relationship with Thamannah in during the shooting of ‘Paiyaa’.
The film started rolling before few months and is now fast on the heels of completing first schedule. Debutant Siva has handled story, screenplay, dialogues and direction with Santhanam taking on the role of Brahmanandam.



Murugadoss has completed the script for his film starring Suriya and Shruthi Haasan and is fully ready to go for the first schedule of shooting. It will be only Suriya and Shruthi Haasan who will participate in the first schedule.
According to sources close to Suriya, the team will fly to China for the first schedule and two songs will be picturised in that. One is a duet featuring the lead actors Suriya and Shruthi and the second song will feature Shruthi and 50 dancers.
The unit is gearing for the trip and before they board the plane Murugadoss is expected to announce the title of the film.

Anuksha
Singam Stills
Singam Stills
Singam Stills
Singam Stills

Sura still
Vijay’s 50th film “Sura” release date will be 23rd April. The release date will be announced after the film has got the censor certificate. This is Vijay’s 50th film, his fans are eagerly waiting for the release. For the first time, Tamanna is doing the heroine role with Vijay.

Recently Sun Pictures has got the distribution rights of the film “Sura”. S.P.Rajkumar is the director of the film and Mani Sharma’s music is already rocking the town. Sources close to the Director said that this film will satisfy the taste of Ilayathalapthi’s fans and this is going to be a summer treat for film goers.



Opening songs in Vijay’s films always come with a charm. Proving this once again is a number from his 51st film ‘Kaavalkaran’, a remake of Malayalam super hit ‘Bodyguard’, both directed by ace Mollywood filmmaker Siddique.
‘Mannai kaappaan oruvan, Vinnai kaappaan oruvan… Ennai unnai kaakkum avaney avaney Iraivan….’ These are the starting lines of the mass-intro song of the ‘Ilaya Thalapathi’ in the film, if sources are to be believed.
The song was recently shot on the actor and a large number of junior artistes near the famous Sri Mahalingaswamy shrine in Thiruvidaimarudur, a temple town near Kumbakonam. Also present in the shoot was Asin, the heroine of the movie.
While Vijay was spotted in a violet t-shirt and blue jean, Asin was seen wearing a brown sari. Earlier, poojas were performed at the shrine for the success of the film, we learn. A large number of students and public thronged the place after news spread that Vijay was in their place.

Asin hot still
Vijay and Asin new film “Kaavalkaran” shooting is going on very well at Karaikudi. Recently during the shooting of the film “Kaavalkaran” Asin fainted. There was a gas leakage in the caravan. Due to this gas leakage, heroine Asin and her father and the makeup assistants were also fainted. All the persons were taken to the hospital for urgent treatment. After getting first aid, all were sent back to hotel.



Kutty Pisasu is a film directed by Rama Narayanan. Chief Minister M Karunanidhi released the trailer of this film recently. Rama Narayanan had created records by directing more than 100 films.After becoming the president of the Producers Council, he stayed away from directing the films. But he was releasing the Tamil dubbed films including 2012. Now after a small gap he is producing and directing a film.
This film will be released simultaneously in Tamil, Telugu and Kannada. This film which is titled Kutty Pisasu has graphics and animations on par with Hollywood flicks. The graphic work of this film was entrusted to Silverline who are pioneers in this field.
The graphic works are going on for more than a year. A 18 feet car man has been created for this film. Such kind of car man has not featured in any other language films so far. Baby Kirthika is donning the role of Kutty Pisasu.
She has received many awards by participating in the dance competitions. Ramji, Sangeetha, Ramya Krishnan, Kanga Karuppu and Livingston are also starring in this film. Three new face villains are being introduced in this film. The film which has the music of Deva will be a summer treat to the children.
The trailer of the film was released by Kalaignar Karunanidhi at his residence. Director Rama Narayanan, Amirtham, Murasoli Selvam and Murali Rama Narayanan were present during the release of the trailer.


Witnessing the abundant success with their previous films – ‘Yaaradi Nee Mohini’ and ‘Kutty’, the duo Dhanush-Mithran are as sure as shooting stars with their upcoming flick ‘Utthamaputhiran’, which is again a remake of yesteryear Telugu blockbuster ‘Ready’.The film started rolling before nearly before a long time and was stalled as Dhanush and Genelia had some prior commitments with other projects. Apparently, they’ve completely got themselves adhered to this film as both have postponed the schedule of their other films.Right now, the film is being shot across the exotic locales of Kuttralam, Ambasamudaram and Thirunelveli at a stretch of single schedule. These are the sequences that portrays the protagonist’s heroism act of saving his belle from clutches of baddies, who force her to get married in which she isn’t interested.The film is produced by Ramesh Tandra, Mohan Apparao under the banner name of Balaji Studios Pvt Ltd…

to shridi | crossword






The ace film Director Mani Ratnam’s “Raavan” which was expected by Indian film industry will hit the Silver Screens on June 18th worldwide, as per the official sources.

At present the post-production of this anticipated film is proceeding in Chennai. Mani Ratnam intends to debut the movie at Cannes Film Festival on May 14th and therefore is speeding the completion of the film, so that he would have enough moment in time to promote his multi-starrer multi-lingual film.

The film will be launched in Hindi, Tamil and Telugu. It is also heard that ‘Chiyaan’ Vikram will dub for himself in the Telugu version but facts about his voice in Hindi is yet to be exposed. Abhishek Bachchan, Aishwarya and Vikram will persist in all the three versions. A shuffle is anticipated in their roles but the cast is different in the languages.


Everything has changed within couple of weeks as the Chennai Super Kings are back in action now. Previously, after losing 4 matches on the row, it was least of all probabilities for CSK to get through the semi finals. Precisely, the producers and distributors of Kollywood were elated that their films can be released with an ease.But now as the Chennai team is striking back with a big bang, it’s time to rethink. It’s worth mentioning that most of the night shows in both multiplexes and single screens are running scarce of audiences.On the dot, that could’ve been the only reason why Sun Pictures is opting to release Vijay’s ‘Sura’ after the IPL season. Now, they’re couple of tentative release dates on April 23 and May 1 that will finalized by this weekend.

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Bollywood actress Manisha Koirala, who is currently making a comeback in Tamil cinema with Dhanush starrer ‘Mappillai’, seems finally set to enter wedlock in Nepal, her motherland.
If reports are to be believed, the 40-year-old actress, who is the daughter of one of the most powerful political houses in Nepal, will marry Nepali businessman Samrat Dahal on June 19.
“Circles close to Manisha told me about a week ago that she is getting married in Nepal,” Nepali filmmaker Dipendra Khanal, whose upcoming venture ‘Dharma’ will mark the return of the actress to Nepali film industry, was quoted as saying.
The wedding will be a three-day extravaganza that is expected to see Mumbai’s stars descend on Kathmandu. The bridegroom was reportedly educated in the United States and is a well-known businessman.
Manisha, grand-daughter of Nepal’s first elected Prime Minister Girija Prasad Koirala, is presently shooting in Kerala for a Telugu film and will return to Kathmandu on Friday, Dipendra Kanal reportedly added.


Finally, it’s a very big boon for the Chennaites as they can experience the essence of real cinema at PVR Cinemas. Hip Hip Hooray! The long awaited launch of PVR Cinemas will take place from day after tomorrow (April 9).PVR Cinemas has been situated at the center of Chennai’s Heart at Sky Walk Mall across the lanes of Poonamallee Highroad, Arumbakkam. According to the sources, the opening up of one of the biggest group of cinemas can benefit the regular moviegoers from central and North Chennai as there aren’t any quality theatres at that area.The first set of releases will be – Vinnaithandi Varuvaaya, Paiyya, Hindi film ‘Prince’ and othe releases are yet to be confirmed.

Sania Mirza Marriage Date Apr 15th in Hyderabad

Sania Mirza Tennis star is going to marry Pakistan Cricketer Shoaib Malik on Apr 15th 2010 in Hyderabad. She confirmed this in Airport and given sweets too. This pair is going to stay in dubai after their marriage and sania mirza will participate in the matchs as usual up to 2012 in behalf of india.

Shoaib Malik Sayali Bhagat Relationship

Sayali Bhagat dating with Shoaib Malik

Sayali Bhagat is Bollywood Actress and Miss India too. She acted in Hindi Movie “The Train” opposite Emraan Hashmi. Earlier Shoaib Malik was dating with her in 2008. Anyways It’s good to know that Sania Mirza liked him and going to marry him.



Mostly we can see that actors will be discreet when the superstars’ movies are hitting the screens. But, hero Vijay is exception to this. He always in a notion that good movies will definitely encouraged by the audiences.
The latest buzz is that IllayathalapathyVijay has determined to release his 51stmovie, a remake of Malayalam super hit film‘Bodyguard’ along with Rajinikanth’s ‘Endhiran’. Previously, Vijay’s ‘Sachin’ was released along with Rajini’s Chandramukhiand Kamal Hassan’s Mumbai Express. But, it was bombarded at the box-office as it could not stand over Chandramukhi’s response. But nothing likes to have affected Vijay and this time also he is getting ready to have a clash with Rajinikanth.
However, in the meantime, his 50th film ‘Sura’ is getting ready to hit the screens on April 14.

Lingusamy is a past master at packaged entertainment. His latest Paiyaa is a road movie laced with mass elements and extraordinary songs picturised in a stunning manner. Fasten your seat belts and enjoy the ride.

Credible performances from its lovable lead- Karthi and Tamannaah make up for the plot holes that threaten to eat into this otherwise engaging ride. Technically it is Lingusamy’s best work enriched by Mathi’s eye-catching camera work, Antony’s crisp editing, Rajeevan’s exotic set designs and above all Yuvan Shankar Raja’s foot tapping music.

Shiva (Karthi) is a young man who is on the lookout for a job and he comes to Bangalore for an interview with a bunch of friends. He sees the pretty Charulatha( Tamannaah) at the bus stop ( a la Run) and falls hook line sinker for her. And much to his surprise, his dream girl who is in some trouble, mistakes him for a driver and asks for a ride to Mumbai.

Now both the people are on a journey from Bangalore to Mumbai and the rest of the film is how they bond, face challenges, realizes that the journey was more beautiful than the destination and finally fall in love. The film is all about the hero meeting his dream girl and how his past catches up with him on this road trip.

Leading man Karthi’s first outing at attempting an action film is quite impressive with his macho looks. He competently delivers what's required of him in the action scenes, lending grace to his chop-socky moves, including stunning sequences in which he beats up dozens of goons single-handedly. Tamannaah is there from the beginning to the end and is gorgeous. Milind Soman as bad guy is wasted.

The songs of Yuvan Shankar Raja scorches just like the desert sun. The background score is perfect co-ordination with the narration. Yuvan’s music is the film’s trump card, with meaningful lyrics by Na. Muthukumar. All the five songs in the album are rocking, making it difficult to pick the best of the lot. We will say that Thuli, Thuli… and Adada Mazhada… are the more popular of the lot. Suthuthe Suthuthe… is a knockout, with terrific choreography by Sabeena Khan shot on a real beautiful set created by Rajeevan.

On the downside the film moves at a leisurely pace and the plot line is riddled with holes. In the second half especially when the couple reaches Mumbai the story plods along leading to a predictable climax. But if you are looking for just fun and entertainment Paiyaa is a jolly good ride.

Movies aren't reality but they are from reality. That’s what Vasanthabalan has conveyed in his new film. Very similar to the films of Madhur Bhadarkar in Hindi Vasanthabalan too has gone onto the details of a social problem while trying to tell story at the same time.

Ayngaran International Films ‘Angadi Theru’ is a disturbing love story told in the back drop of serious life.

It about the sordid life forced upon two youngsters from a remote south Tamil Nadu village who are brought to Chennai city to work as counter sales people in swanky textile malls of Ranganathan Street and exploited by their employers. Mahesh who is a plus two topper is forced by the circumstances to take up a sales man job in a mall in Chennai. Anjali is also employed at the same shop. The jobs are low paying and they live in inhuman conditions provided by their exploiting mall owners. Amidst the conditions they fall in love which irks the mean management and they fight it out. The exploiting conditions in the mall don’t give way to peaceful existence and the try to start a new life out of the mall but end up ordinarily. While telling the story of lovers, Vasanthabalan also unveils the pathetic life conditions of poor young people from remote villages who are brought to city in promise of good job and then exploited by the poor blood sucking management.

The film is hard hitting in its reality. Life seems very tame at times. Many things happening in this film are things that are happening to us or around us but we hardly seem to notice or empathise. The graphic description of the life of the forced laborers strikes you hard. Next time if you go shopping to the posh malls in Ranganathan Street or around T. Nagar please pause and take a deep look at the uniformed counter sales people and give him or her considerate smile. Like his earlier ‘Veyil’ Vasanthabalan here too seems to tell us the world outside is a real bad world and survival is difficult for the good and able.

‘Angadi Theru’ is exquisitely simple and is a sonnet to the sprit of survival. For thoughtful filmgoers ‘Angadi Theru’ is a beautifully contained film complete in its portrayal of a young pair in search of life.

The performances of the leading characters are assets to the film. New comer Mahesh and ‘Kattrathu Thamizh’ Anjali are simply superb and they virtually carry the film on behalf of Vasanthabalan. The director also proved his choice of actors is on target. If the industry doesn’t use the potential of Anjali fully after this film then that would be a loss to Tamil cinema. Director A. Venkatesh as the mall supervisor and Black Pandi of 'Kanakanum Kalangal' as the friend of Mahesh are the only other significant characters and they too are fine.

Music by G V Prakash and Vijay Antony evokes a mixed feeling. The songs are good but they are neither in the film nor with the film. Vijay Antony’s ‘Aval Appadi Ondrum Azhagillai’ which is already a chart buster looks reclaimed on screen. But Vijay Antony’s back ground score is marvelous. The BGM travels as a separate character throughout the film. It makes you cry when the characters cry and laugh when they laugh.

The debutant Cinematographer Richard Maria Nathan walks hand in hand with Vasanthabalan. Right from the opening scene of rain drenched lanes of T. Nagar till the dry crowded Ranganathan Street providing asylum to the central characters at the end Richard cools your eyes meaningfully. Welcome Richard! Well Done!!

Vasanthabalan’s screenplay is as uncluttered and faithful as his lead characters. But he could have told his dialogue writer to refrain from adding that Tirunelveli slang ‘lei… lei’ to each and every utterance. The 150 minutes could have been trimmed a bit. The story of Anjali’s younger sister, and the song sequence inside the shop at night and particularly the scenes of Sneha could have been done away with. They don’t do anything to enhance the narration.

‘Angadi Theru’ may not be a turning point in the history of Tamil cinema, but a film worth archiving for future. Vasanthabalan’s third feature film is modest and quiet a study on loneliness and surviving spirit.